Further releases suffered at the hands of the Roland D-50 and the Korg M1, followed by the Kurzweil K2000 and the Korg Trinity. But in the late ’80s and ’90s the company seemed to lose their edge. In the 1970s, the GX-1 and then the CS-80 defined the forefront of analogue synth development before, in 1983, the company almost single-handedly destroyed the market for large analogue polysynths when the DX7 swept aside the likes of Prophet 5, the OB8, and the Memorymoog. Yamaha were once the unassailable titans of polyphonic synthesis. But does it have what it takes to be the market leader Yamaha want it to be? Roland FANTOM 8, FANTOM 7 and FANTOM 6 will be available in the U.S in September for $3999,99, $3599.99 and $3299.99, respectively.As its name implies, the Montage combines multiple technologies within a single, powerful instrument. It’s also possible to drive modular and analog synthesizers from its dual CV/Gate outputs. DAWs and performance software like Apple’s Logic Pro and MainStage can be operated from the touchscreen and panel controls, and virtual instruments from Roland Cloud and others can be easily controlled and combined with FANTOM’s internal sounds. It excels as a standalone instrument, but its powers grow exponentially when connected to computers, analog synthesizers, and other gear. Available tools include RGB pads, a classic TR-REC style pattern sequencer, real-time recording with piano roll editing, and a grid for recording and launching clips. It is a complete music composition platform, filled with creative options to build arrangements fast. In addition to the color touchscreen interface, there are plenty of knobs and sliders for intuitive and immediate control, plus a dedicated synthesizer section with oscillator, filter, and envelope controls. It models offer exceptional playability and aftertouch support with Roland’s best keyboards ever, including the acclaimed PHA-50 on the 88-key FANTOM 8 and a brand new semi-weighted action on the 76-key FANTOM 7 and 61-key FANTOM 6. There’s never any guessing about how many effects are available, or if sounds can be changed smoothly without limiting complex patches. It’s possible to run all 16 parts with all available effects at once, complete with full patch remain for seamless transitions. With FANTOM’s potent DSP engine, players can focus on music, not rationing processing power. There’s also an enormous selection of effects available to enhance individual sounds and process entire mixes. Players can combine different synthesis technologies along with the onboard analog filter for new and unusual sounds. It’s flexible and expandable sound engine leverages decades of research and development, providing an endless range of inspiring and authentic electronic, acoustic, and hybrid sounds. And with workspaces called Scenes, the instrument can be fully customized and instantly reconfigured for different composition and performance setups. Players never have to worry about what features work in which mode-FANTOM is always in full-on creative mode, providing a consistent working experience in every musical scenario. FANTOM is designed to meet all these needs and more, giving players a new type of creative hub to realize ideas and accelerate workflow like never before.Ī key feature of FANTOM is its modeless interface, which makes technical limitations and confusing operation a thing of the past. They also need to integrate seamlessly with the computer-based environments that form the backbone of modern stage and studio setups. Today’s professional keyboardists need an instrument that lets them compose and perform music with no creative roadblocks to slow them down. I think Roland can play in the flagship keyboard line again even if they are a bit reminiscent of Yamaha instruments. Please check for this the Roland website. Information about the exact engine did not exist at the time of the press documentation. Further, it features an all-new color touchscreen, 16 RGB pads for launching clips, a classic TR-REC style pattern sequencer, and CV/Gate support. It features Roland’s latest Synthesizer technologies including analog filters in the sound engine. It is not a simple update but a completely new development that will bring the FANTOM series into 2019. This has probably also thought Roland and today introduced the brand new FANTOM series, in a 61-key (F6), 76-key (F7) and 88-key (F8) version. The last one has not been updated for some time and is currently relatively vintage compared to its competitors. There are three flagship keyboards on the market that are loved by professionals: KORG Kronos, Yamaha Montage or the Roland FANTOM series. Roland FANTOM brings the well-known keyboard series to the year 2019 with a new engine, color touchscreen, dual CV/Gate outputs, and deep computer integration.
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